![]() Briefed to create a 1980s-style poster reminiscent of classic, hand-painted movie artwork, he created this using an iPad Pro and Procreate. One of 2016's biggest TV events, Stranger Things came out of nowhere and grabbed everyone's attention thanks to its gripping supernatural story and pitch-perfect retro stylings, and Kyle Lambert's stunning poster was a vital part of the whole package. Kyle Lambert's Stranger Things poster is a modern classic “I think the shapes and patterns have more impact in black and white – but when I added silver to the silkscreen, it gave the image the elegance of reflective light.” 15. I immediately knew that I wanted to make something out of it using varying densities, brightnesses and typography,“ explains Troxler.Īnnik Troxler’s works are usually vibrant and colourful, but for this identity, she chose black and white with silver accents. “As I zoomed in on an area a ‘ pixel pattern’ appeared. The design identity began with an accident. Troxler’s intention was to make movement ‘visible’ by using a simple device: circle elements rotating with and against each other on different layers of the surface. In developing her design vocabulary for this project, Troxler referred to the systems of rhythms and forms in music, creating shapes and typographic elements. Swiss designer Annik Troxler created the visual identity for the 2018 Jazz Festival Willisau, and her poster designs combine playfulness with a strict coherence and attention to functionality. The rotated circles within the design represent movement and rhythm Gabriel adds that the aesthetic draws on a "magical moment" in the history of the sports: "a golden age" defined by neither money nor social status but "driven by a group of young people living on the edge of society, questioning morals and venturing into the unknown." 12. The images use only black and white, with a typographic focus alongside imagery shot by Brazilian photographer and director Hick Duarte. Studio founder Gabriel Finotti says the collection "explores the counterculture spirit behind the rise of surfing and rock climbing" – sports that he states have "questioned a conservative and consumerist society" through participating in more "libertarian and hedonistic lifestyle" pursuits since the 1950s. Sometimes Always, a graphic design studio based between São Paulo and Berlin, recently unveiled a striking series of posters for São Paulo fashion boutique Cotton Project’s AW 2019 collection, named Contra. The poster series explores the counterculture spirit behind the rise of surfing and rock climbing (Image credit: Sometimes Always) We're also fans of the collage-effect imagery and use of white space. The potato prints were refined digitally to create the spud sans typeface for use on posters, lanyards, digital platforms, promotional material and wayfaring signage. "We took inspiration from the stencilled potato crates, jute sacks and enamelled signs that can be found on Chase Farm, and devised a unique typeface using potato carving." ![]() "At Chase Distillery, everything starts with the humble spud, so we felt it was important that the new brand and identity did too," says James Wood, Shoptalk's co-founder and creative director. ![]() In fact, the custom typography was made using potato prints. Created by Shoptalk for Chase Distillery, which produces gin and vodka created from produce grown on its Herefordshire farm, the campaign focuses on the potato. This poster design is included for its innovative approach to typeface and branding. The typeface was created using potato prints (Image credit: Shoptalk)
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